13 Postcards
Nestled in Fort Tryon Park, The Met Cloisters offers a serene escape with stunning medieval art, lush gardens, and breathtaking views of the Hudson River.
"The cheapest flight to Europe around. What are the words? Impressive. Magnificent. Perched in Fort Tyron Park, it's fancy and formal here: archways, splendid gardens, highly detailed and beautiful unicorn tapestries, hands clasped among statues, bright lighting, and generally an awe-inspiring experience. The Cloisters, dedicated to medieval art, hardly needs an introduction as the most well-known gem of Inwood and a branch of the Metropolitan Museum of Art. If you live in Inwood, you can come to the Cloisters and just hang out. Sit in the gardens, relax, and enjoy the space-time continuum. And no, it never gets old." - Jeanne Henry
"Located on four acres in northern Manhattan's Fort Tryon Park, the Met Cloisters is a branch of the Metropolitan Museum of Art and is America’s only museum dedicated exclusively to the art and architecture of the Middle Ages. The building overlooks the Hudson River and actually incorporates five medieval-inspired cloisters into a modern museum structure, creating a historic, contextualized backdrop in which to view the art." - Melissa Liebling-Goldberg, Alex Erdekian
"Dedicated to Middle Ages art and architecture, featuring unicorn tapestries and enchanting gardens in reconstructed Romanesque and Gothic cloisters." - Travel + Leisure Editors
"Located on four acres in northern Manhattan's Fort Tryon Park, the Met Cloisters is a branch of the Metropolitan Museum of Art and is America’s only museum dedicated exclusively to the art and architecture of the Middle Ages. The building overlooks the Hudson River and actually incorporates five medieval-inspired cloisters into a modern museum structure, creating a historic, contextualized backdrop in which to view the art." - Andrea Whittle, Charlie Hobbs
"GR: I do, yes. [...] And what I found is like if I go to the Met every day, it's completely transformed my experience of it. [...] It feels limitless, but also knowable in this kind of paradoxical way."