Jason F.
Yelp
Who knew the city of Detroit had such an amazing space for art lovers of all kinds to enjoy? I certainly was pleasantly surprised by this gem of an art museum as with over one hundred galleries, the Detroit Institute of Arts (or DIA) has one of the largest and most significant art collections in the United States. The DIA is just one of a number of buildings that make up the Cultural Center Historic District along Woodward Avenue, across from the Detroit Public Library and Wayne State University, and next door to the Charles H. Wright Museum of African American History and the Michigan Science Center, which makes the neighborhood quite the gathering space for arts and education.
What sets the DIA apart from so many other city's main art galleries and museums is the shear size of the facility, so much of which is so remarkable that when they renovated and expanded the facility in the late 2000s, the museum served as a significant example of the study for museum planning, function, direction, and design to follow in the future. With all of the financial and societal issues that have plagued the city of Detroit in the past and still do to this day, it is actually heartwarming to see and instinctively feel the dedication of the citizens of the region to make sure that the DIA lives up to the legacy and purpose that was set forth during it's founding. Although their Beaux-Arts, Italian Renaissance styled building first opened back in 1927, the DIA's legacy began in the late 1800s when local newspaper magnate James Scripps embarked upon a lengthy tour of Europe where he acquired a number of noteworthy pieces for a collection that would become the Detroit Museum of Art. After establishing their home that the Institute has resided in for almost one hundred years, the museum continues to offer visitors an encounter with human creativity from all over the world, including what I agree with historians is considered as its greatest asset, five sets of massive murals are known collectively as "Detroit Industry, or Man and Machine". Commissioned by local businessman Edsel Ford and painted by Diego Rivera on the walls of an inner court of the museum in 1932, "Detroit Industry" is generally said to be one of America's most significant monuments.
It was in the Diego Rivera courtyard that us conventiongoers were able to enjoy a wonderful evening of catered bites and libations as the docents at the DIA explained to us the historical significance of 27 frescos that make up the "Detroit Industry" mural. But our trip to the DIA began with our group of conventioneers entering through their main entrance with a cast of Auguste Rodin's sculpture, "The Thinker" immediately greeted us before we even stepped inside. The staff, who stayed late for us conventioneers, immediately checked our vaccination status before we headed directly to the area known as the Kresge Court, which is an outdoor courtyard whose ceiling is covered in glass. They had an open bar and comfortable seating ready for us all to enjoy. They kept the space that we allowed to visit limited on the evening we arrived, but we were able to enjoy passed apps and cocktails in their Prentis Court area before we were allowed to adjourn to their museum store (a.k.a. the DIA Shop) where they gave us conventioneers a discount on any purchase. Then had us head upstairs to their second floor where we could walk through the one special exhibit they opened for us which was titled "By Her Hand: Artemisia Gentileschi and Women Artists in Italy". What was nice about this exhibit beyond the extraordinary artwork was in order to get a more descriptive journey through some of the pieces, they were showcasing, all one had to do was scan the QR code and you walk to the number assigned to each painting where they would share background information on how the piece came to be.
Our final stop of our evening was the place that I was most looking forward to, their Rivera Court, where we got a close up view of Diego Rivera's masterpiece. The fact the mural was officially completed in 1933, meaning we are getting this much closer to its one hundredth anniversary, and has not needed to be retouched once. The history of Detroit's auto industry and how it shaped the city's identity was on full display right before our very eyes. What was nice was they let us eat and drink in both the Rivera Court and the Great Hall, as the catering team at the DIA really pulled out all of the stops. Highlights included their Beef Short Ribs and Slow Roasted Chicken. Being able to enjoy a dessert, fresh fruit, and coffee buffet underneath the walls of the mural stood out as a wonderful memory. It was an evening and experience to remember at the DIA, and it only made me want to come back to experience more of their vast exhibition areas. A working class city like Detroit deserves such a beautiful and historical setting to enjoy such astonishing historical artwork.