Eva M.
Yelp
Bellevue Arts Museum grew to its current location from modest beginnings. Your mileage will vary based on current exhibits, which is all they have. They don't have a permanent exhibits section. Most exhibits, once set up, will run for several months to a year. Be sure to look them up before going. This review contains pieces from two visits - April and September.
Some logistics: They are located across from Bellevue Square. They have their own parking lot, but a very small one. If you are also shopping or eating at the mall, that's an alternate solution.
One of the current exhibits that is particularly powerful is "Preston Wadley: Abstract Truth". Be sure to see the powerful piece called "Code Switcher", the most important piece of the Wadley exhibit. The feet appear to have different colors, standing on a book with jumbled letters and numbers. We are asked to walk fully around the piece observing the many color changes. This piece depicts how we speak differently to different people. While we all do this at different degrees, Wadley is specifically calling out the magnitude to which African Americans do this, more than any other ethnicity.
Another trio from Preston Wadley depicts his experience with his mother who suffered from Alzheimer's. Depicted in 3 timelines, they show how a person's mind fades due to this cruel disease.
Another piece that captured my attention was a huge wall installation, titled Number 215B, by Leonardo Drew. He is calling attention to the wreckage caused by "natural" disasters (natural or manmade?). He hand-dyes, paints, and ages every piece. He calls himself the "weather" in the creation process. Ironically, because he is using new materials to create his art, he is criticized for being a hypocrite to his environmental message. This piece is violent, chaotic, and messy.
Another example is called "Grow'd", by Alison Saar, 2019. Modeling Topsy, a character from "Uncle Tom's Cabin," Saar presents a strong, regal Topsy who has reclaimed herself from her ex-slavery status. She sits on a bale of cotton, the cotton branches on her hair resembles a crown, the sickle in her hand gives her power.
Last example is "Marechal Floriano Peixoto II", from the series "The World Stage: Brazil, by Kehinde Wiley, 2009. If the style looks familiar, it should. Wiley is the artist who painted Obama's presential portrait. Famous for his realistic depiction of his subjects, Wiley reimagined a statue in Rio de Janeiro from a theme of colonialism to this new image of locals with a bamboo reed, a native plant, and native flowers in the background. These two figures gaze directly at the viewer; their calm presence suggest strength, pride, and also comfort.
Strictly speaking, BAM is a 3 to 3.5 stars museum. Because of rotating exhibits, it is not "always for everyone", which is less common for a museum. Some exhibits are decidedly edgier with weightier topics. But this museum has heart and is thought-provoking. The intentions and the power of the pieces challenge the mind.