Jia J.
Yelp
One good thing about the decreasing temperatures is the prospect of warming up on a velvet-cushioned wood folding chair in the belly of this cozy, old-timey barge at the foot of the gothic marvel that is the Brooklyn Bridge.
I have been here in two other seasons. The first time was September 11th of 2009, when a few grand performers gave a gratis memorial concert featuring works by Rachmaninov and original modern piano compositions. A Russian musician who looked like a princess ballerina came out and played Alexander Scriabin's works for the left hand only...apropos for the evening's theme of perseverance over loss. Her fingers skittered up and down the keyboard like the Thing from the Addams Family, producing a frighteningly layered sound as if possessed by four hands! Most special was the cameo by the adorably senile Olga Bloom, founder of Bargemusic. Standing strong at 100+ years, she blew kisses to the audience and was overcome by the reception. With tears still sparkling in her eyes, she joined a violinist after only a bit of coaxing for an old-world fiddle duet that gave me chills and made me feel privy to life underdeck of a trans-Atlantic immigrant ship in the 1800s (so what if my imagination ran away with me...). Afterwards, my companions and I grabbed ice cream cones at the nearby Brooklyn Ice Cream factory and rolled on home after watching the mist thread through the skyscrapers of Manhattan like smoke through a fine-toothed comb. A mere tourist in New York at the time, I vowed to return for future performances, regardless of where I would find myself in the country or the world.
Lo and behold, May of this year found me living in New York City, so I convinced two friends to join me for an afternoon concert. One girl was hungover and the other was tired. This resulted in the two of them sleeping with their mouths open in the back, while I sat in the second or third row as a virtuouso violinist played an uncharacteristically face-melting concerto by J.S. Bach.
There are many reasons why people put off the unique experience afforded at this place, but I have a rebuttal/solution to all of them:
1. "Eh...I'm not that into classical music."
What's wrong with you? Open your mind. If you don't like classical music, then enduring it for about one hour on a boat with essentially a glass wall open to an unobstructed view of the New York City skyline should turn you around.
2. "I'm feeling seasick."
Throw back a Dramamine or just wait a minute...once the show begins, I promise that you will forget all about it.
3. "It's so far away."
Suck it up; it's the first Brooklyn stop (High St.) off the A (express!) and C (local) train. It's no farther away than Williamsburg.
4. "You have to walk a long way after getting off the train, and it's in a confusing neighborhood."
No, not really. Just follow the crowd towards the obvious Brooklyn Bridge. It's a downhill walk that soon delivers you to a rather dazzling (especially at night) waterfront and a charming coterie of eateries such as Grimaldi's Pizzeria, which is deserving of its legendary status.
5. "It's loud and touristy in DUMBO."
Touristy, perhaps; based on my two times there, the tourist factor seems more acute in the daytime. Concerts themselves, though, are well-attended only by self-selectively quiet and appreciative listeners. You will find no jostling or rushing the gates here. And inside, you will be in the still point of the turning world, subjected only to soothing strains of timeless music rendered by human hands and breath.
6. "...but tickets are expensive."
I foolishly assumed this myself for too many years, just because I'd heard about it on a fancy-sounding NPR Radio sound bite. Sure, the average ticket price is listed as being in the vicinity of $20 to $40, but seniors get a discount and students only need to pay $10 to $20 with an ID (and yes, schools other than NYU and Columbia do count!). If this still doesn't fit your range, you can attend one of the free afternoon concerts. The program will remain a mystery until the day of the concert, but you can rest assured that nothing will be shaved off the quality of the experience. If you DO actually have money, this is a charity worth supporting; the perpetuation of big music in intimate settings for anyone who stops by.
So GO! Only a heartless and artless asshole could ever regret it.